My work is guided by a single question: how is identity formed, shaped, and transformed over time? I was born and raised in Kechene, a village of Addis Ababa where culture, faith, philosophy, socio-political, and everyday life converge. It is a place where thread is woven and clay is coaxed into form.
The weavers there first taught me that identity is made by hand. The weaver gathers countless threads, layer upon layer. onto a coarse warp dyed in one color, the color that speaks for the community, he weaves threads of many hues, and through pattern he tells the story of shared values in symbols. The potter, in turn, draws form from the earth, and in her hands the ancient belief that humankind is made of soil finds its echo. both are bearers of meaning: one touching thread, the other clay, they give people a way of existing through craft.
Growing up amid these traditions, I came to see my childhood memories and social bonds as the foundation of my visual language. My surroundings shaped not only who I am, but also the emotional colors and visual elements through which
memory surfaces in my paintings.
I examine identity in the tension between tradition and modernity, and I place the human being at the center of my work. Like the weaver’s thread, the human body is woven from tangled relationships and layers of thought; like the potter’s vessel, it is shaped from the earth. I believe the human being is a living, moving image of God, a mysterious sign, a talisman. through its beauty, fragility, and complexity, I ask about our search for existence, our confrontation with death, our endurance, and the meaning of life. Each visual mark becomes a trace of lived human experience.
Because I hold the human body to be a living, sacred geometry and a presence of the divine, painting the figure is more than a study of outward appearance. It is an act of seeking out a subtle spiritual sign. And so my work returns to its central
question: identity is something woven, shaped, and tended, and it is never finished. It is not handed to us complete; it is built slowly, over a lifetime.